I just realized that yesterday, August 12th, 2013 was the 30th anniversary of the release of Smokey and the Bandit Part 3! How could I forget this? And I created a post about Monk! What a traitorous heart I have!
In honor of such an anniversary, here is an article I wrote in 2005 about my love for all things "Bandit".
Doctor: “Now tell me, what is your
problem?”
Me: “I was headin’ eastbound on
interstate 94 and this County Mounty from Texarcana, TX was tail-grabbin me for
miles…”
Doctor: “What the hell are you talking
about”?
Me: “Well my problem, you see it
keeps coming back to this black Trans Am.”
Doctor: “Hold on; you sound like some
bad 70’s trucker movie! What is this some CMT Redneck movie marathon? You have
to give me something better than that; I’m $300 an hour! Now, revert back to
2005 and tell me why you’re here.”
OK,
it started like this; I went to visit my older Sister for a weekend, must have
been around 1978/79. As we were waiting for my Mother to come pick me up, we
decided to watch a little TV and she had HBO, which was a rarity back then! As
we were flicking through the channels, and I mean literally flicking – this was
before remotes were a common television accessory; she sees a familiar credit
roll by. “Oh, you’ll like this, I saw it the other night, and it’s a really
good movie”.
The
movie was “Smokey and the Bandit” and 25 plus years later; I can honestly say
that I still want a 1977 black Trans Am.
For
a kid, The Bandit was the epitome of cool: the likeable rebel with the cool car
that got the girl and gave a big Southern finger to authority, all while
driving 110 miles an hour. I know that sounds like an overly simple story but I
couldn’t help it, I was hooked; I wanted to be The Bandit. Hell, I used to
pretend that my bike, which of course had to be black and gold was a Trans Am and
I was Mr. Reynolds himself. I was obsessed with all things Bandit; although I
never got Burt’s laugh right and never wanted to drive a tractor-trailer with
an ugly basset hound in the passenger’s seat and never, ever rocked a ‘stache
with a cowboy hat! My unswerving allegiance was such that, in 1983, I actually
saw “Smokey and the Bandit 3” in the theater, despite the fact that Burt
Reynolds only had a 2-minute cameo in the movie!
I
lost track of “Smokey and the Bandit” as I got older although I would
frequently break out Jerry Reed’s thoroughly ass-kicking album “Eastbound and
Down”, which featured the three songs he did for the first Bandit movie. Always
in awe of Jerry’s monstrous guitar playing, I started to feel the pangs of
yearning and wanted to experience the movie again in its unedited form; the
constant re-runs on TBS do not do the film justice (no pun intended). When the
film was released on laserdisc (yeah, laserdisc) in 1997, I picked up a copy
and The Bandit sped into my conscious once again. Seeing it again at 25 made me
truly appreciate what a clever, well-written comedy it was. Where once my focus
was purely on the car chases, now I found myself drawn to Jackie Gleason who
was hilarious from the time he stepped on screen, straight through to the
ending credits! Since that time, I have made the leap to DVD and was positively
giddy over finding Universal’s Bandit collection, “The Pursuit Pack”, which
featured all 3 movies on a single, double-sided disc.
Watching
the “trilogy” all the way through made me realize what a huge part of my life
these movies were. The amount of memories and good feelings that came back to
me prompted this intensive period of research to find information about these
movies. Although much of this is already
known to fans, I will give as much insight into each movie as I can as well as
poster art, merchandise photos and MP3’s. Read on Good Buddy and enjoy my
tribute to “The Bandit”. I’m eastbound
and down, 10 – 4.
Let
us start with a little “Smokey” math lesson:
Bandit
1 - Grosses $126,737,428 or $355 million in today’s dollars.
Bandit
2 – Grosses $66,132,626 or about 150 million today.
Bandit
3 – Grosses $5,678,950 or about 11 million today.
See
a trend here? While the “Bandit” may have ruled every highway below the
Mason-Dixon line, he was not resistant to “Sequel-itis”. For those who need an
explanation, “Sequel-itis” is the constant degradation of a movie franchise
over time. More often than not, a movie franchise starts off brilliantly and
ends up with a collective, “what the hell happened?” from its audience. I’m not
going to give a plot run through for each movie but I will give some stats
pertaining to them and even a little extra love to that much-maligned third
film.
Smokey
and the Bandit
– This was the second highest grossing film of 1977 right behind “Star Wars” –
actually way behind “Star Wars” but that should come as no surprise. Opening on
May 27th, 1977, “Smokey 1” was the little movie that could; it ended
up surpassing any expectations that Hollywood, including the movie’s own cast
and crew, had for it.
I
cannot add anything to what has already been said about this movie so let’s
just say that this film actually influenced my childhood more than the
aforementioned, “Star Wars”. And that is saying a lot since any child growing
up in the 70’s was under the powerful, cinematic spell cast by George Lucas.
The
soundtrack to the movie is pretty awesome with Jerry Reed proving once again,
what an amazing guitarist/singer/songwriter he is. I am currently hunting for a
copy of this as there are a couple of songs on it I have yet to hear. Once I
have one, it will be available for download here. [Editor’s note: I now have
it. And it is on my site]
Odd
fact of the day: this movie was called, “Trans Am 7000” in Japan.
Smokey
and the Bandit 2
– Now, while it may not have been as colossal a hit as its predecessor, “Bandit
2” certainly did well at the box office, even in today’s dollars. Opening on August 15, 1980, the movie was the
8th biggest draw for the year, right in between “Coal Miner’s Daughter”
and “The Blue Lagoon”. Really. No, I’m not kidding.
This
movie presents The Bandit in quite a different light; a pathetic, washed up,
egomaniac who is past his prime and still trying to remain relevant. It showed
a darker side of our hero but at the time, I thought it was every bit as great
as the first movie. While I wouldn’t
agree with that today, it is a good movie; almost like the producers tried to
expand The Bandit’s world by having him cruise through new areas (Miami!),
getting caught in situations that would not have been possible in the first
movie (like being an adoptive father to a baby elephant, being a raving drunk,
etc) and almost being caught by Buford T Justice.
We
also get a bunch of cameos in this outing from Football legends Terry Bradshaw,
Mean Joe Green and Joe Klecko to Country music artists such as Brenda Lee, Mel
Tillis and Don Williams. It should come as no surprise that all three of these
artists are also featured on the film’s soundtrack. While we only get one (but
great) song from Jerry Reed, the album is still a must have. One of the
highlights is that Burt Reynolds really does have a song called, “Let’s Do
Something Cheap And Superficial” - I always thought it was just mentioned in
the movie as a joke. While he can’t sing to save his life, the song is so
catchy that his drawling performance grows on you. Plus, with a title like
that, you know that tune has got to be hilarious!
There
were toys released this time around such as small matchbox-type vehicles, model
cars and Delmar Hank’s book, “The Adventures of Smokey and the Bandit”. See the
memorabilia section for images of what I could find.
Second
odd fact of the day: this movie was called, “Trans Am 7000 VS. The Smokeys” in
Japan.
Smokey
and the Bandit Part 3
– 1983 was a banner year for the movie industry as it was the ‘year of the
third sequel’. It is almost laughable to look at how many part 3’s were
released: Halloween 3, Superman 3, Jaws 3, Rocky 3, and Return Of the Jedi
(even though it is now called Episode 6 – in 1983 it was the third Star Wars
movie!). Not surprisingly, a few of these movies exposed the fact that their
respected franchises were suffering from the afore-mentioned “Sequel-itis”.
To
my then 11-year-old psyche, it was impossible to think something was afoul in
Bandit-land but by the end of the movie, even I realized that I had just sat
through my first ‘box office bomb”. I will say upfront, that because I am a
Bandit fan, I do like this film; as crazy as that sounds, but there are so many
problems with this movie that it merits much discussion - I actually like
talking about how bad it is! Listen up all you future filmmakers and
screenwriters.
Opening
in 498 theaters on August 12, 1983, the film went to wide release two weeks
later on September 2 and came in at a pitiful #95 for the year. It is almost as
if Universal knew it sucked but needed that confirmation before putting it in
the 1,119 theaters it eventually ended up in.
Looking
at the title alone, we find the first of many faults with this movie. The film
is called “Smokey and the Bandit Part 3”, not “Smokey and the
Bandit 3”. The culprit responsible for this will wisely never fess up as to why
they felt compelled to add the “Part” to the title but my guess is that they
thought it would make the movie better. It didn’t.
One
of the most discussed topics of film-lore surrounding “Bandit 3”; “Bandit PART
3” excuse me, is that the film was originally shot as, “Smokey IS the Bandit”,
with Jackie Gleason’s Buford T Justice playing both characters! Was some
screenplay guru suffering from delusions of grandeur in trying to create the
finest schizophrenic debacle ever filmed? After disastrous test screenings
(imagine that?), the film was re-shot with Jerry Reed coming on as the Bandit
to keep with the previous film’s “cat and mouse” style theme. Unfortunately,
someone was asleep in the editing room and the result is a movie so loaded with
continuity errors it is unintentionally funny! These scenes are actually
funnier than the ‘supposedly humorous’ drivel that some of the actors are stuck
with saying. There is no sense of direction or ‘flow’ to any of the scenes,
almost like someone writing in phrases rather than complete sentences. Things
just seem to happen and then before there is any closure to the scene, the next
scene begins. Plus, Jerry Reed is not “Bandit” material and in a way, the
filmmakers knew that, as he is not the focus of the movie. This is most likely
a residual effect from the movie’s original version but if the editing was
better, it may have been a smoother transition.
In
the end, “Smokey And The Bandit Part 3” plays like a bad episode of “The Dukes
Of Hazzard” in that it is just a hokey, car chase flick where dumb characters
do really dumb things. Jackie Gleason does manage a few funny one-liners but
unfortunately, the rest of the film is about as funny as a bout of pneumonia!
Third
odd fact of the day: Japan didn’t even bother to give this movie an alternate
title. In fact, they probably just shipped it back to Hollywood.
Continue
to the Memorabilia section for Poster Art, MP3’s and other Bandit treats! Just
click here to visit Popjunkie.com!
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